There's no explaining the presence of Guy Pearce in Pauline Chan's sappy, atonal family drama. But it's easy enough to understand why he looks so uncomfortable throughout.. A clunky hybrid-half feel-good weepie, half preposterous thriller-that functions primarily as an elaborate travel brochure .... It's the kind of high-school movie about kids and music that Hollywood would never be able to capture with such intimacy, nuance and restraint.. Funny, droll, sweetly directed and note-perfect.. Just...
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